Gracefool Collective: Embracing ‘Failure’. An Approach to Movement, Sound and Voice

The Studio Gracefool Collective: Embracing ‘Failure’ – An Approach to Movement, Sound and Voice Gracefool Collective’s Kate Cox and Rachel Fullegar co-deliver a masterclass on embracing failure, one of the key foundational principles of their dance-theatre devising...

Gracefool Collective: The Making of THIS IS NOT A WEDDING (2019)

Gracefool Collective: The Making of THIS IS NOT A WEDDING (2019) Aural/Oral Dramaturgies artists in residence Gracefool Collective’s singular research into dance and choreography aims to destabilise the role of the dancer and especially of the female dancer on stage,...

Finding the Dancer’s Voice: An Interview with Gracefool Collective

Finding the Dancer’s Voice: An Interview with Gracefool Collective Kate Cox and Rachel Fullegar, founding members of Leeds-based company Gracefool Collective, describe themselves as creators of ‘post–intellectual–pseudo–spiritual–feminist–comedy–dance for the modern...

#3

#3 Amplified Storytelling Emerging from LMYE #2: Post-Verbatim  and growing further in scope and significance is the theme of technology. Specifically, microphones, loop pedals, editing software and headphones are highlighted as instruments that facilitate new...

#2

#2 Post-Verbatim The Aural/Oral Dramaturgies project proposes the term ‘post-verbatim’ – not as a new label for theatre work, but as a more precise designation for the kind of work that has gradually emerged in the aftermath of the documentary theatre trends of the...